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Archive for the ‘Horror & Supernatural’ Category


Heart Shaped Box

by John on July 25th, 2011
Heart Shaped Box Cover Image

It sounds so innocent, almost whimsical.  Aging rock star buys a ghost on the internet.  Jude Coyne collects stuff like that.  What could go wrong?  Turns out this particular ghost has a grudge against Jude, being the stepfather of an ex-girlfriend who killed herself after Jude threw her out.  Jude isn’t all than nice a guy–spoiled, and a bit self-centered, but it turns out that  being haunted is an opportunity for personal growth.  Who knew?

A ghost story also seems almost innocent, a relic of an earlier time.  Ghosts are incorporeal.  They aren’t trying to drink your blood or eat your brains.  The rules may vary some.  This ghost can’t hurt you physically, but can control your mind under most circumstances.  On the other hand, he’s afraid of dogs, and Jude has two, Angus and Bon.  If you get that reference, this may be the book for you.

Haunting films of Japan

by Debb Green on June 13th, 2011
Haunting films of Japan Cover Image

The history of cinema in Japan spans more than a century, with their first successful film released in 1897. By the next year, the Japanese produced two of the first ghost movies ever made. These silent black and white films were called “Bake Jizo” (Jizo the Spook) and “Shinin No Sosei” (Resurrection of a Corpse.) Given their history plus ancient folklore and superstitions, it is no surprise that some of the world’s most haunting movies come from this land of mystery and the rising sun.

Iowa City Public Library has an excellent collection of Japanese films, including both classic and new titles. Most are shelved together in the green labeled foreign movies section (look for the category “Japanese.”) There you can find several fantastic ghost movies, including:

Kwaidan (1965) Directed by Masaki Koboyashi. One of the most arresting films I’ve ever seen, this portmanteau (“ghost story”) movie is based on four separate stories from Lafcadio Hearn’s wonderful 1918 book, Japanese Fairy Tales. Though the eerie stories are unrelated, they are linked by a strong sense of ghosts and fear of the supernatural. The movie’s expressionistic color cinematography and set designs are breathtaking. Especially in the full scale reenactment by ghosts of a tragic, ancient sea battle set to music sung by a blind musician character called Ho-ichi, the Earless. My favorite story of the set is “Yuki-onna” (“The Woman in the Snow”), in which a demon snow woman falls for a freezing traveler she would normally kill only to have him betray her secret after their marriage.

Onibaba=Demon Woman (1964) In this tale, an impoverished mother and her daughter-in-law eke out a lonely, desperate existence in the susuki grass wastelands of feudal Japan. In order to survive, they are forced to murder the various lost samurai who pass by during the long civil war and sell their belongings for grain, dumping their corpses down a deep, dark hole. Exquisite black and white imagery will strike viewers as well as the women’s horrific punishment for first stealing and then wearing a haunted demonic mask.

Akira Kurosawa’s Dreams (1990) This film has eight unique sections which are all based on real dreams of Kurosawa, its director, at different stages of his life. All are unusual for their use of magical realism and several have scenarios that are more fantastic than horrific. Two segments are specifically about ghosts. “The Blizzard” is about a desperate band of mountaineers lost in a terrifyingly fierce and supernaturally driven snowstorm. Sure enough, another Yuki-onna demon woman tries to convince them drop to the ground and sleep so that she can suck their warm breath away to death. The other nightmarish vignette is called “The Tunnel” and concerns a defeated Japanese officer who is haunted by his entire platoon of soldiers waiting for further orders since dying at his command.

Other haunting Japanese films include the following interesting titles. Check them out soon and be sure to turn the lights down low!

Ugetsu (1953) – Set in 16th century Japan, this film focuses on an ambitious potter haunted by a beautiful yet tragic ghost and a foolish farmer who yearns to become a samurai.

Suna No Onna = Woman in the Dunes (1964) – This is more an existentialist film than traditional horror, but the surreal landscape and storyline make it troubling and a visual masterpiece.

Ju-On = The Grudge (2003) Revenge and curses from the spirit world have never been more creepy!

Ringu = The Ring (1998) Beware watching those unsolicited videos – for it might be your demise shown on the TV next!

Intelligent Horror Films

by Debb Green on May 23rd, 2011
Intelligent Horror Films Cover Image

Since I was young (and my father let me watch midnight Creature Features on TV), I’ve enjoyed a good scary movie. Whether classic or new, the best horror films are those that capture viewers’ imaginations. While also exploring our uncertainties about mortality, morality, and fears of the unknown. When done well, much of the menace from their spooky moving images comes from within the viewer, rather than from extreme gore or violence. This is especially true for those some people call “intelligent horror films.”

The reason I’m writing this is because I recently watched a movie that fits this description. It was so good that I actually watched it twice (on a weekend, of course!) Let Me In is an English language film released in 2010 that was a remake of a 2008 Swedish movie (and novel) called Let the Right One In. The Iowa City Public Library owns both versions.

In Let Me In, a bullied 12 year old boy named Oscar meets Eli, a beautiful yet strange girl he befriends when she and a man who appears to be her father move into an apartment next door. Though he sees her only at night, Oscar does not realize at first that Eli is a vampire, even though she doesn’t feel the cold and walks barefoot in the snow. When strange disappearances and murders start happening in the town, suspicions mount from her neighbors and police.

Then the man who lives with her gets caught trying to find a new victim to slake Eli’s blood thirst, and is killed. As she has for decades past, Eli must move on to stay alive plus find a new human protector. Or else stay to help save Oscar from a vicious, life-threatening attack by the bullies – the only way she knows how. This she does in a terrifying way (in the high school swimming pool.) Then together, Oscar and Eli leave town as the viewer realizes that he has become her protector and will be so for the rest of his mortal life. With eerie yet evocative cinematography and music, this movie is a gem which Stephen King claims is “the best American horror film in the last 20 years.”

Here are some other “intelligent horror films” well worth a look. Some cross over into other genres like science fiction or psychological thrillers. But, at heart, are as much about horrifying viewers as they are about astounding or mystifying them.  Check them out soon and enjoy. And pass the popcorn!

Alien (1979)

The Bad Seed (1956)

Black Swan (2010)

The Cabinet of Dr. Caligari (1919)

Diabolique (1955)

Donnie Darko (2004)

The Exorcist (1973)

The Hunger (1983)

Interview With the Vampire (1994)

Invasion of the Body Snatchers (both the 1956 & 1978 versions)

The Lost Boys (1987)

Mothman Prophecies (2002)

The Others (2002)

Pan’s Labyrinth (2006)

Psycho (1960)

Rosemary’s Baby (1968)

The Shining (1980)

The Sixth Sense (1999)

The Thing (1982)

28 Days Later (2003)

Vertigo (1958)

 

 

 

Fairy Tale Horror Films

by Debb Green on February 11th, 2011
Fairy Tale Horror Films Cover Image

Recently I clicked on a You Tube preview of a new movie called Little Red Riding Hood. Imagine my surprise when I realized it couldn’t be added to children’s DVDs at ICPL! For this is a dark version directed by Catherine Hardwicke. Who created the first installment of the Twilight film series. Sure enough, their version of the fairy tale promises to be a spooky, romantic thriller. Where the Big Bad Wolf is actually a werewolf stalking a gothic-looking village. Which in turn must be saved by a gorgeous grownup Red Riding Hood played by Amanda Seyfried. All I can say is don’t show this movie to your kids, especially before bedtime!

Little Red Riding Hood was the inspiration for both director Neil Jordan’s 1984 film In the Company of Wolves and the 2005 psycho-sexual thriller Hard Candy (rated R and starring a young Ellen Page.) As well a disturbing short black and white film from 1997 called Little Red Riding Hood and Other Stories (starring the ever-mysterious Christina Ricci.) Another film where Ms. Hood can be found is The Brothers Grimm (a PG-13 supernatural flick from 2005.) She and the Big Bad Wolf have even graced our radio and television airwaves – for example, in this timeless ditty: http://www.youtube.com/watch?v=1JOwxnVoG6Q

Other classic fairy tales have also been made into horror films intended for older audiences. Renowned actress Sigourney Weaver once starred in a 1997 horror film called Snow White: a Tale of Terror. That tiny terror of fairy tales, Rumpelstiltskin, turned up to torment a Los Angeles mother and babe in a 1996 movie with the byline “where the fairy tale ends, the nightmare begins!” Jean Cocteau’s unforgettable 1946 classic, Belle et la Bete retells the story of Beauty and the Beast in exquisitely beautiful black and white imagery. And the  Beast also will appear in a romantic supernatural movie called Beastly to be released next summer.

Though often ending with “they lived happily ever after,” the truth is traditional fairy tales have always had an element of horror in them. And that both scary and fairy tales are designed to console as well as terrify us by showing desperate characters striving to survive against all odds. It’s no wonder then that cinematic horror films have adapted these timeless tales for those of us who like “the ghoulies and and ghosties and long-legged beasties and things that go bump in the night!”

The Passage

by John on February 9th, 2011
The Passage Cover Image

When a scientific expedition in South America is attacked by vampire bats, you get a pretty good idea where this book is headed.  When the army tries to militarize vampirism, you know it will end badly.  Six year old Amy gets snatched from a convent to become the next test subject, because the army needs a child, and Amy’s as anonymous as they get.  Amy’s kinda weird before the vampirization process, having already caused a riot at the zoo, among the animals.

Amy survives the ensuing vampire holocaust, which wipes out all but a handful of humans, who survive in well-lit walled compounds, powered by failing batteries.  A hundred years later, Amy shows up at one of those outposts, and a few people decide to return her to Colorado, in hopes the army, which created her, can save them.

Writer’s Workshop alum Justin Cronin takes his time, showing events, but only explaining them, obliquely at that, hundreds of pages later.   He goes thru lots of characters, and multiple points of view.  The Passage is the first of a trilogy,  which is probably years from completion.  I’ll be waiting.

And what are you reading?

by Jason on September 2nd, 2010
And what are you reading? Cover Image

The 2010 Adult Summer Reading Program (SRP) wrapped up at the end of July and we’ve taken some time to analyze the Reading Forms to see what you all were reading this summer!  There was obviously a wide variety of books read or listened to, everything from The A.B.C. Murders to You’ve Been Warned (what, no titles that started with ‘Z’?!).

From the results it looks like the NYTimes isn’t lying, Young Adult books are hot with adults right now! Oh and I think if I start Zarathustra’s Secret : The Interior Life of Friedrich Nietzsche now I might just finish in time to put it on my form for the 2011 SRP.

Top Ten Adult Titles:

  1. Sizzlin’ 16 by Janet Evanovich
  2. Twilight by Stephanie Meyer
  3. Red Pyramid by Rick Riordan
  4. House Rules by Jodi Piccoult
  5. The Girl with the Dragon Tattoo by Stieg Larsson
  6. The Girl Who Kicked the Hornet’s Nest by Stieg Larsson
  7. The Help by Kathryn Stockett
  8. Hannah’s List by Debbie MacComber
  9. Three Cups of Tea by Greg Mortenson
  10. Elegance of the Hedgehog by Muriel Barbery

Top Ten Adult Authors:

  1. Rick Riordan
  2. Stephanie Meyer
  3. Janet Evanovich
  4. J.D. Robb
  5. James Patterson
  6. Charlaine Harris
  7. J.K. Rowling
  8. Stephen King
  9. Stieg Larsson
  10. Debbie Maccomber and Jodi Piccoult (tie)

The Odyssey

by John on January 25th, 2010
The Odyssey Cover Image

We’ve all had journeys gone bad–missed connections, bad hosts, getting lost, running out of gas.  Odysseus can probably top your best story, or mine.  He was at war for ten years before being captured by a cannibalistic cyclops, was sabotaged by his own crew, runs into more cannibal giants, held captive by a witch, then a goddess (for licentious purposes), escapes a giant whirlpool, then a tentacled monster (who, yes, eats men).  Oh, and he visits hell to get advice on how to get back home.  Nor do his troubles end there, as he has to restore order to his household, which has been taken over by suitors for his faithful Penelope.

The story‘s well known, having been around for about 28 centuries.  I’m here to praise Robert Fitzgerald‘s translation, which makes this the ratttling tale it should be, and an attached essay by D. S. Carne-Ross, “The Poem of Odysseus,” which clarifies much of the weird stuff that happens here.  The Greek gods, for instance, were very likely to lead you into temptation, rather an odd thought for modern readers.  Carne-Ross also points out the role of women (who were kind of an afterthought in the Iliad) and instances of doubling, where events echo other events.

While this would make a great movie (paging Peter Jackson), you won’t find many travel tips.  Offer your hecatombs and don’t piss off any deities.

The Little Stranger

by Ardis on January 5th, 2010
The Little Stranger Cover Image

I hadn’t read a really satisfying ghost story in a long time when I picked up The Little Stranger by Sarah Waters. There are plenty of goosebumps here, as well as a glimpse into post-WWII changes in rural English society.

As always, there’s an old, dark house, in this case a crumbling estate called Hundreds Hall. The inhabitants of Hundreds, a Mrs. Ayres, her war-injured son Roderick and her “spinster” daughter Caroline are all that remain of an upper class family that has fallen on hard times.  The narrator of the story, Dr. Faraday,  a village doctor whose mother had once been a maid at the mansion, is called out to examine a teenage servant who seems to be ill. The young girl, who’s only lived at Hundreds a short time, confides to the doctor that she’s not really sick, but rather she’s frightened of the house. She says there’s something “bad” lurking about the dark hallways and she doesn’t want to stay there. So begins Dr. Faraday’s relationship with the goings-on at Hundreds Hall.

The Little Stranger turned out to be one of those books I don’t find often enough – I wanted to race through it to find out what happened next, but I really didn’t want it to end at all.

Coraline and The Graveyard Book by Neil Gaiman

by John on May 17th, 2009
Coraline and The Graveyard Book by Neil Gaiman Cover Image

A young friend told me I should read these two books, and she was right.  Gaiman has a pretty impressive reputation for adult fantasy and the graphic series Sandman, but these were in the Children’s room.

Coraline seems to be an industry of its own.  The library owns not only the novel, but a graphic version, a recorded version, a game version, and the soundtrack to the movie, which is itself on order.  Coraline feels her parents ignore her, only to find a secret part of her house, where an alternate mother and father want to lavish attention on her.  If only they weren’t so creepy.  One quickly recognizes many of the aspects of a horror story here, and I would have guessed it a little too scary for upper elementary kids, tho a lot has changed since I was that age.

The Graveyard Book seems less overtly horror–more an adventure story in the classic mode.  Think Treasure Island or The Jungle Book.  After his family is murdered, a baby grows up in a cemetery, adopted by the dead, and protected by Silas, who seems to be a vampire.  The men who killed his family are still looking for young Nobody Owens, Bod for short, who says, “If I go outside in the world, the question isn’t “who will keep me safe from him” . . . It’s “who will keep him safe from me?”

Good stuff, which has me curious about Gaiman’s novels for adults.

The Somnambulist

by John on September 4th, 2008
The Somnambulist Cover Image

From Chapter One: "Be warned. This book has no literary merit whatsoever. It is a lurid piece of nonsense, convoluted, implausible, peopled by unconvincing characters, written in drearily pedestrian prose, frequently ridiculous and willfully bizarre. Needless to say, I doubt you’ll believe a word of it "

It’s not THAT bad. The prose, for instance, is obviously pretty clever. Implausibility is an issue tho.  Consider the opening murder–a ham actor being lured to a sumptuous room by a luscious tart, only to have his mother appear to berate him, and some kind of beast, which climbs up the walls, attack him. Our detective Edward Moon, who is also a stage magician, never quite turns out to be as infallible as he thinks he is. And how DOES the Somnambulist, part of Moon’s act, survive swords thrust through his body? Who is the mysterious narrator? What kind of bizarre plot to destroy London is taking place? And what role does the dead poet Samuel Taylor Coleridge play in it?

"I suspect by now that your disbelief is not so much suspended as dangling from the highest plateau of credulity." Yup, but as compensation, I never had a clue where this weird story was taking me. Part of the fun is figuring out just what rules apply here, what genre conventions are being followed or violated–Victorian mystery, science fiction, conspiracy, or horror.  A fun book that keeps you off balance.

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