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Author Archive for Ardis



Cowboy Songs

by Ardis on March 11th, 2011
Cowboy Songs Cover Image

I get a particular pleasure from hearing an old, familiar song given new life, so I was completely charmed when I took a listen to Cowboy Songs, a collection of contemporary and traditional cowboy songs sung by Michael Martin Murphey. His honest, easygoing approach is perfectly suited to the material. I don’t listen to much country music, but Murphey’s heartfelt interpretations of old standards like Home on the Range, Tumbling Tumbleweeds, The Streets of Laredo, and The Red River Valley soon had me channeling my inner cowboy. His rendition of the mournful O Bury Me Not on the Lone Prairie is especially touching. Backup vocals are provided by the likes of  the Sons of the San Joaquin, Tammy Wynette, Red Steagall, and Suzy Boggus. This winning collection closes fittingly with the classic Roy Rogers/Dale Evans sunny farewell:  “Happy trails to you . . .”

Brooklyn Rider

by Ardis on February 11th, 2011
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Brooklyn Rider is a modern string quartet who’s sensibilities could be compared to the Kronos Quartet although their musical influences seem to be more from world music traditions than from popular music. Fitting into the “crossover classical” category, the group’s arrangements often include percussion, bass, or even electronics.

Dominant Curve, their latest album, was named one of NPR Music’s 50 Favorite Albums of 2010 . Along with a polished performance of Debussy’s String Quartet in G Minor, there is an original piece by one of the quartet’s violinists titled Achille’s Heel, and an interesting arrangement of John Cage’s In a Landscape.

Passport, the group’s previous release (2008), is a collection of  Armenian folk songs arranged for string quartet, and I would have to say that I enjoyed these lively, folk-inspired arrangements more than the selections on Dominant Curve. I was impressed with the quality of playing on both discs.

Recorders Greate and Smale

by Ardis on January 4th, 2011
Recorders Greate and Smale Cover Image

I’m not a huge fan of recorder music. A little goes a long way. That being said, the new CD Recorders Greate and Smale was a treat for me. Performed by  Mezzaluna,  a recorder ensemble created in 2003, it consists of selections from the reconstructed repertoire of the 16th-century English Court recorder consort.

The excellent liner notes include a history of the recorder and performance practices. Apparently, the high days at the English Court for the recorder consort began with the crowning of Henry VIII in 1509, possibly because Henry himself played the recorder.

The sound quality of the instruments is pure and light, with great acoustics provided by a church in Basse-Bodeux, Belgium. The playing is outstanding and beautifully blended. If you have an interest in Renaissance music, wind ensembles, or the recorder in particular, this CD is an easy recommendation.  For those of my ilk, it might be a pleasant surprise.

World Soundtrack Awards

by Ardis on December 3rd, 2010
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The World Soundtrack Academy announced the winners of the World Soundtrack Awards for 2010 on Saturday, October 23 as the closing event of the 37th Ghent International Film Festival.

Alexandre Desplat took home the award for Film Composer of the Year for his body of work in the last year, including Fantastic Mr. Fox, New Moon, Julie & Julia, and The Ghost Writer. He also won Best Original Film Score of the Year for Fantastic Mr. Fox. Desplat also won Best Original Film Score last year for The Curious Case of Benjamin Button.

Ryan Bingham & T Bone Burnett received the award for Best Original Song Written for Film (The Weary Kind from Crazy Heart) and Abel Korzeniowski won the Discovery of the Year and Public Choice awards for his score for A Single Man. John Barry (Dances With Wolves, Goldfinger, Out of Africa, Somewhere in Time, John Barry: the Collection ) received the World Soundtrack Lifetime Achievement Award.

The Brussels Philharmonic performed music by film composers who attended the award ceremony, including Gabriel Yared (The English Patient, Breaking and Entering), Angelo Badalamenti (Blue Velvet, Mulholland Drive, A Very Long Engagement, The Straight Story) Howard Shore (The Aviator, Lord of the Rings: the Two Towers, The Twilight Saga: Eclipse) Craig Armstrong (Craig Armstrong Film Works, 1995-2005), Gustavo Santaolalla (Babel, Brokeback Mountain, Motorcycle Diaries) and Elliot Goldenthal (Frida, Public Enemies).

The  World Soundtrack Academy, created in 2001 by the Ghent Film Festival, is aimed at “organizing and overseeing the educational, cultural and professional aspects of the art of film music, including the preservation of the history of the soundtrack and its worldwide promotion.”

New Christmas Music

by Ardis on November 8th, 2010
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Thanksgiving is fast approaching, and not far behind will be winter snows and Christmas. What better way to get in the spirit of the season than settling in with some relaxing holiday music.

Every year brings some surprising entries in the Christmas music genre. Last year, Bob Dylan’s Christmas in the Heart topped the “I didn’t see that coming” list. This year, one of the more interesting offerings could be Christmas Cornucopia by Annie Lennox. It includes new interpretations of traditional songs and carols as well as Universal Child, an original song written by Lennox. Her silky alto voice would seem well-suited to this genre.

Other pop artists with new Christmas offerings this year include Mariah Carey with Merry Christmas II You, Indigo Girls with Holly Happy Days, and Wilson Phillips with Christmas in Harmony. Contemporary Christian artists Newsboys offer Christmas: a Newsboys Holiday.

Sure to be a big hit this year is Britain’s Got Talent sensation Susan Boyle’s first Christmas album, The Gift. It offers some traditional carols, a few pop songs, and a rendition of Do You Hear What I Hear by Susan with Amber Stassi, the winner of the International Susan Search.

In classical music, new releases include Bryn’s Christmas: Carols and Christmas Songs by bass-baritone Bryn Terfel and Santo by tenor Juan Diego Florez. And what would Christmas be without The Nutcracker? Simon Rattle, with the Berlin Philharmonic, offers new recordings of the beloved ballet music in both a favorite selections and complete ballet version.

New choral collections include A Song in Season by the Cambridge Singers, A Brooklyn Tabernacle Christmas by the Brooklyn Tabernacle Choir, Anonymous 4′s The Cherry Tree: Songs and Ballads for Christmas, and Chanticleer’s A Chanticleer Christmas. Last year The Irish Tenors brought us Christmas. This year we get The Perfect Gift from the Canadian Tenors, Christmas by Celtic Thunder, and Noel by The Priest’s.

If you’re looking for some winter chill music you might try New Age artist David Arkenstone’s Visions of Christmas or Winter’s Songs: a Windham Hill Christmas. Or for a swinging, big band take on the holidays try Christmas Comes Alive by the Brian Setzer Orchestra.

Bamboula!

by Ardis on October 5th, 2010

Louis Moreau Gottschalk (1829-1869) was an American composer born in New Orleans of Jewish-English and French descent. Apparently, his music was very popular around the world in the 19th century and into the early 20th century.  I came across his piano music listening to NPR, and was immediately drawn in by his lively rhythms and unusual affinity for the highest register of the piano. I’ve never heard piano music from another composer that lingers in the top range so much. It requires a well-tuned instrument to do it justice.

Bamboula!: Piano Music of Louis Moreau Gottschalk, performed by pianist Michael Lewin, is a great introduction to Gottschalk’s  Creole-inspired melodies and syncopated rhythms. Many of the pieces like The Banjo and Pasquinade are lively and joyful tunes that are irresistible fun. Among his romantic and sentimental pieces is the lovely, Chopin-esque  Souvenir de Lima, one of my favorites.  This title, as well as others such as Ojos Criollos, Danza Cubana, and Souvenir de Porto Rico, reflect the influence of Gottschalk’s travels to South America and the Caribbean before his premature death at age 40.

Anyone with an interest in piano music who hasn’t heard of Louis Moreau Gottschalk should give him a try. The library also has his Complete Works for Orchestra.

Pulp Fiction

by Ardis on September 7th, 2010
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When you think of  hardboiled crime fiction, Dashiell Hammett or Raymond Chandler might come to mind. Their characters were often tough private investigators who worked on the fringes between the “respectable” and the criminal world. But within the genre, there are also writers like James M. Cain (Double Indemnity) whose characters were often either suspects or perpetrators of crime. It’s in the inkiest depths of this sub-genre that you’ll find Jim Thompson.

Thompson’s twisted characters were the cores of his stories. These psychopaths were often the narrators, and the tales they told were chilling and yet often hilarious. In The Killer Inside Me, a small town deputy sheriff tells of the “sickness” that boils up inside him that he can’t control. The narrator of my favorite Jim Thompson novel, Pop. 1280, is a seemingly dim sheriff of Potts County. As he talks amiably about his mundane routine, an underlying corruption in his character is slowly revealed. This book was also made into a successful movie titled Coup de Torchon (Clean Slate) by French director Bertrand Tavernier.

Thompson’s talent was not acknowledged during his lifetime (1906-1977), but his stature has risen since the re-publication of some of his novels in the Vintage Crime/Black Lizard series in the late 1980s. On the back cover of Pop. 1280 is a quote taken from a review in the Washington Post: “If Raymond Chandler, Dashiell Hammett and Cornell Woolrich could have joined together in some ungodly union and produced a literary offspring, Jim Thompson would be it…”

Beyond Vuvuzela

by Ardis on August 3rd, 2010
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All eyes were on South Africa this summer as we watched the World Cup finals. Unfortunately, the sound that will most likely be remembered from the games is the drone of the vuvuzelas, not the abundance of African popular music that was on display. Now is a great time to sample some of the music you may have missed.

There are a number of recent recordings that showcase South African talent.  To get a great overview of South African music, try Putumayo Presents South Africa or The Rough Guide to the Music of South Africa. Just released is a series by Strut Records  that features jazz, R&B, funk, and soul music from the townships in the 1960′s and 70′s titled Next Stop Soweto, v.1, v.2, and v.3.

The popularity of the new Broadway musical Fela! has renewed interest in the music of Fela Anikulapo-Kuti, the Nigerian musician, producer, and political activist popularly known as Fela, who died in 1997. He was the  inventor of Afro-Beat, an exuberant West African style of dance music that he fused with African American styles like funk and jazz. Although dance music at heart, his songs offered lyrics that were confrontational and his political activities often landed him in jail. A compilation called The Best of the Black President was recently re-released.

Soundway Records has been issuing an exciting  series of compilations of Nigerian music including Nigeria Special: Modern Highlife, Afro-Sounds & Nigerian Blues 1970-6, v. 1 and v. 2,  and Nigeria Afrobeat Special: the New Explosive Sound in 1970s Nigeria.

Konono No. 1 is  is a group from the Democratic Republic of Congo that has been playing traditional African music for over 40 years. Their exuberant, celebratory sound is created on homemade instruments constructed from car parts and other discarded items. Their latest album is Assume Crash Position.

Rise and Shine by Sierra Leone’s Refugee All Stars, offers a melding of West African roots music and reggae. As their name implies, the members of the group met at West African refugee camps during the long civil war in their home country.

Take a listen.

The Other Side of the Door by Nicci French

by Ardis on July 1st, 2010
The Other Side of the Door by Nicci French Cover Image

Bonnie has a dead body on her hands and she’s frantically trying to figure out how to get rid of it  and the rest of the evidence she may have left in her friend’s apartment. So starts The Other Side of the Door, the latest psychological suspense novel by Nicci French, the pseudonym of English husband and wife writing team Nicci Gerrard and Sean French. The rest of the story unfolds in short chapters that go back and forth in time between what happened “Before” and “After”.

As with all Nicci French novels, there are twists and turns that continue to the last page and one or two sociopaths along the way to keep things fun. I’d say this is one of their better efforts, and if you like it I would highly recommend trying Secret Smile next.

Fela! vs. American Idiot on Broadway

by Ardis on June 4th, 2010
Fela! vs. American Idiot on Broadway Cover Image

Most of the buzz surrounding the Best Musical category for the 2010 Tony Awards is about the stage adaptation of Green Day’s brilliant 2004 rock opera American Idiot. Unlike most rock music-based Broadway musicals, this show is touted as an authentic rock experience. Green Day even appears as the house band for the original cast recording. The new musical about legendary Nigerian musician Fela Kuti, aptly titled Fela!, has cornered the most nominations at 11, including Best Musical, but the reviews have been mixed. Memphis, set in the underground dance clubs of 1950′s Memphis has 8 nominations. The fourth Best Musical nominee, Million Dollar Quartet, inspired by the famed recording session by music legends Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins, is the only show that doesn’t have a cast album available yet.

Nominations for best revival of a musical include  A Little Night Music with nominee Catherine Zeta-Jones, and Finian’s Rainbow. La Cage aux Folles, starring nominee Kelsey Grammer and Ragtime aren’t yet available on disc. Sean Hayes, best known for his role on the TV comedy series Will & Grace, is nominated for his Broadway debut performance in the revival of Neil Simon’s Promises, Promises. Hayes will also be hosting the award show that airs June 13 on CBS.

About Ardis

Ardis
Where would you find me:
Enjoying retirement!
Interesting facts:
"A Confederacy of Dunces" by John Kennedy Toole is the funniest novel I've ever read.
The movie I've seen the most times in a theater is "Mulholland Drive" (5 times).
The most interesting musician that I've discovered recently is Moondog (Louis Hardin).
My favorite space-cat buccaneer, by far, is Brak.
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